I designed and made this silhouette during my junior year at parsons (16 years ago?!!) and this is a silhouette I’ve carried with me ever since because it still feels so incredibly me and kpc.
the jacket begins with a sense of precision. It’s got a narrow shoulder and lifted armscye that sculpt the upper body and hold the sleeve close through the bicep. the fit is intentional and controlled at the top.
from the underarm down, it releases completely.
the excess of fabric creates an exaggerated swing — a full, architectural flare that moves with the body. the volume isn’t gathered or forced; it’s drafted directly into the pattern, allowing the shape to expand cleanly from the shoulder line.
I had to cut this in the bold big top stripes. This textile is from the 1950s and is long grain cotton woven in a twill weave. The yarns are yarn dyed. So, this is not a print. It’s a medium/heavier weight 10 oz.
the swing jacket is unlined, so the structure comes entirely from cut and proportion rather than internal weight. oversized welt pockets anchor the front and add balance to the sweep of the hem.
it’s structured above and exuberant below. It’s truly a study in contrast. It’s got restraint and release all in one.
Fitted across the shoulder
Raised armhole for a tailored fit
Exaggerated and full from the armpit down
Vintage letterman patch
2 wide welt pockets at the hip
Please note that all textiles used are 50 to 125+ years old and may contain irregularities and/or areas of irregular color. All stains and fabric imperfections have been treated by us to the best of our ability and are common with vintage and antique textiles.
1/2 Chest: 22”
Front body length from HPS: 28”
Across Shoulder: 15”
Sleeve length: 23.25”
I designed and made this silhouette during my junior year at parsons (16 years ago?!!) and this is a silhouette I’ve carried with me ever since because it still feels so incredibly me and kpc.
the jacket begins with a sense of precision. It’s got a narrow shoulder and lifted armscye that sculpt the upper body and hold the sleeve close through the bicep. the fit is intentional and controlled at the top.
from the underarm down, it releases completely.
the excess of fabric creates an exaggerated swing — a full, architectural flare that moves with the body. the volume isn’t gathered or forced; it’s drafted directly into the pattern, allowing the shape to expand cleanly from the shoulder line.
I had to cut this in the bold big top stripes. This textile is from the 1950s and is long grain cotton woven in a twill weave. The yarns are yarn dyed. So, this is not a print. It’s a medium/heavier weight 10 oz.
the swing jacket is unlined, so the structure comes entirely from cut and proportion rather than internal weight. oversized welt pockets anchor the front and add balance to the sweep of the hem.
it’s structured above and exuberant below. It’s truly a study in contrast. It’s got restraint and release all in one.
Fitted across the shoulder
Raised armhole for a tailored fit
Exaggerated and full from the armpit down
Vintage letterman patch
2 wide welt pockets at the hip
Please note that all textiles used are 50 to 125+ years old and may contain irregularities and/or areas of irregular color. All stains and fabric imperfections have been treated by us to the best of our ability and are common with vintage and antique textiles.
1/2 Chest: 22”
Front body length from HPS: 28”
Across Shoulder: 15”
Sleeve length: 23.25”
